Monday, February 21, 2011

(Kist) Articles Round 1

 

Brave New World of Digital Intimacy

“When students woke up that September morning and saw News Feed, the first reaction, generally, was one of panic.”

Before Zuckerberg’s institution of the News Feed, Facebook users had a relative privacy. With a multitude of friends, it was almost impossible to keep up with them all. However, when the News Feed began broadcasting everyone’s profile/ status changes, individuals lost their false sense of security. It was never secure to begin with, but apparently members saw their profile changes as something that others would pay little attention to.

How has this affected students? They have to-the-minute information on nearly everyone around them.

“Facebook users didn’t think they wanted constant, up-to-the-minute updates on what other people are doing. Yet when they experienced this sort of omnipresent knowledge, they found it intriguing and addictive. ”

What did Zuckerberg do here? He thought for his members. What do teachers do? We think for our students and make changes for them that they may not like at first, but will likely appreciate in the long run. In order to affect change, someone has to think ahead of the movements. Upcoming teachers need to have this forethought to make changes in their classrooms and using new technologies, ideas, and texts.

“For many people — particularly anyone over the age of 30 — the idea of describing your blow-by-blow activities in such detail is absurd. Why would you subject your friends to your daily minutiae? And conversely, how much of their trivia can you absorb?”

I’ll be honest- I very strongly dislike people who update their statuses every five minutes. I really don’t need to know the changes in your plan for the day from one minute to the next. I truly could care less where you are or what you’re doing most of the time. When do I update my status? Usually when I’ve got something amusing or important to share. I see no point in telling the world that you just went to the bathroom and are on your way to the kitchen for a sandwich.

“This is the paradox of ambient awareness. Each little update — each individual bit of social information — is insignificant on its own, even supremely mundane. But taken together, over time, the little snippets coalesce into a surprisingly sophisticated portrait of your friends’ and family members’ lives, like thousands of dots making a pointillist painting. ”

This part is interesting to me. While I abhor reading endless updates by the same people… I can form a greater understanding of that person from such updates. Learning about individuals and who they are is always intriguing, but I’m not always aware that I’m doing it at the time.

How does this awareness of others affect our interaction with them?

When you know how someone is feeling or problems they’ve been encountering, you can use that to your advantage. Has your friend been struggling with relationship problems? You can avoid or confront that issue as your personal relationship with them allows. Is your boss having a bad day? Perhaps you need to approach them with a smile, not ask questions and just get your work done. Imagine if students had an emotion gauge on their teachers. Some students would work around it while others would take advantage. This awareness has its ups—but it definitely has its downs.

 


 

You’re Leaving a Digital Trail

“The students’ data is but a bubble in a vast sea of digital information being recorded by an ever thicker web of sensors, from phones to GPS units to the tags in office ID badges, that capture our movements and interactions. Coupled with information already gathered from sources like Web surfing and credit cards, the data is the basis for an emerging field called collective intelligence.”

What does this sound like? Little Brother! Think of all of the tracking devices that were used in Little Brother and how Homeland Security used it against the citizens. When people who where you are and what you’re doing, how can they use that information against you?

“Collective intelligence could make it possible for insurance companies, for example, to use behavioral data to covertly identify people suffering from a particular disease and deny them insurance coverage. ”

What do you think of this? If companies can deny services and/or other opportunities, then how are we supposed to get anywhere? Yes, things such as prior conditions for insurance are very important, but think of how many people are going without insurance because of this. Think of how many medical bills are going unpaid because insurance companies won’t cover procedures and necessary rehabilitation stays. I work in the healthcare industry and I see it daily. Heck, I make collections calls. It’s a sad, sad world, and monitoring systems like this are not making it any easier.

“”a few weeks ago, Google deployed an early-warning service for spotting flu trends, based on search queries for flu-related symptoms.”

Now this, I can see being helpful. Using these resources for good can be a very powerful tool. If we can predict flu outbreaks, track bad weather conditions and traffic, then those items can help individuals lead a less-stressful life.

Perhaps the hardest distinction here is making use of these tools for good and happening to profit from them, or using them for negative purposes and profiting from them.

“’For most of human history, people have lived in small tribes where everything they did was known by everyone they knew,’ Dr. Malone said. ‘In some sense we’re becoming a global village. Privacy may turn out to have become an anomaly.’”

Is privacy more or less important now? Both. Some groups and individuals are striving to share their lives with everyone through blogging, continuous Twitter updates and mega-uploads of pictures. Others are finding ways to protect their home computers and activities from hacking, tracking and destruction. What about you?

I share more things with the internet than I otherwise would have, but I value my security settings. I’m very careful about what information is put out there and I control who can see the things I post online. While I am thankful for having tools at my disposal to share information, I don’t want the entire world knowing what I’m doing and when.

 


 

I ♥ NOVELS

“The cell-phone novel, or keitai shosetsu, is the first literary genre to emerge from the cellular age.”

Have you heard these novels? I haven’t. This is an interesting concept, though, and something that works off of an old idea. Many authors give the simple advice to “write every day.” This is exactly what these cell phone novels are—but with more immediate gratification. In this sense, others are seeing your work right as it happens.

Is this a good thing? In some ways, yes. This gets writers putting work out there, no matter how good it is. You won’t know how good it can be until you write it, right? However, there is this voice nudging the back of my brain telling me that revising and rewriting are important. Perhaps this is a result of the student in me, but I like reading my work before it’s pushed out to others. If nothing else, it might be worth a try, if only to try a new writing technique.

“It’s a group effort. Your fans support you and encourage you in the process of creating work—they help build the work.”

Are our novels and other works becoming more socially created? Think about the amount of writer’s groups and places to post drafts of work online. What does this say about our work? Can we not author something on our own? Is it merely that we need the confirmation and appreciation of others to make it worthwhile?

“’Nobody was saying that he was a great writer, or that his grammar was good,’ Arai recalled. ‘And yet his young fans were all writing about how his book had affected their lives and moved them.’”

Do great works have to be grammatically correct? Should the writing itself be great? Or are we relying merely on the content? These are serious questions that we, as teachers, need to think about. I would hate to read something with horrible grammar. I’m not saying that my own is fantastic, but at least you can read and understand it. I cannot bear the idea of teaching works that are not correct… There is also a huge difference between a different writing style and complete disregard for writing rules.

What does this mean for students?

Anyone can write a novel. According to many readers from these sites, the books don’t have to be great in order to be “good.” What makes a good novel for these readers? It seems that the consensus is a relatable subject that is easy to understand. The problem? These books are going to be quick, easy reads for most students. What sorts of questions are these novels asking? Could any of these novels be compares to a piece of canonical literature? The way I look at it, is that most of these cell-phone novels are of an amateur breed. It is a fantastic way to get people writing, but it’s not going to challenge the literary greats.

(Pytash) How Poems Work

 

“I begin the study of poetry with the assumption that students will love these rich texts” (76).

What is the main point of Jago’s chapter on poems?

Teachers should create lessons that have students working through a poem as if they’ve been critics for decades.

How does this help students with poetry?

Students will begin to form a working relationship with terms and techniques used in poetry through identifying and discussing them. Asking students to do the work rather than providing everything for them allows students to develop the skills necessary to analyze poems on their own. This also gets students talking and interacting with one another in an attempt to work through a difficult poem. Another thought would be that giving students high expectations of their poetry skills provides an opportunity for them to fill those gaps with working knowledge.

How do we choose poems?

I liked Jago’s idea of having students bring in poems for the teacher to do a cold reading. Teachers are not infallible and students must understand this. While teachers are respected as founts of knowledge, it is important that students realize how much teachers have to work at poems too. When it comes to poems that teachers choose for their students, I think we can rely on a fairly even split of classical poems and more modern works. This not only gives students a chance to work on the harder, classical literature, but then turns it around and lets them use their poetry skills with modern works. It is also interesting to have a discussion on the progression of poetry and how it has changed over time, as a whole. There are still many poets who focus on classical forms but the emergence of new forms and styles of poetry is exciting to students.

Can journal writing impact class discussion?

Carol Jago introduces another sound idea in the form of journaling about poems. The key point here is that students have time to write about texts before they are discussed. Students can ask questions of the text, begin to form interpretations and thoughts to bring up during discussion. One of the major issues students admit to with classroom discussions is not being able to come up with ideas “on the spot.” This activity works to eliminate that. Not all students will come up with ground-shattering ideas, but the majority of students will have some thoughts or questions to contribute—and getting them talking is sometimes more important than what they say.

Notes on “The Raven”

Most students have probably heard about this poem. Some will be familiar with certain lines, while others will have already read and discussed it. What many probably don’t know is the idea that Poe explained how he created this poem. I didn’t know, but I’m very interested to know what he had to say. Jago summarizes some of his key points, but I’d personally like to read more. It is information like this that provides interest and a unique perspective to poems. One question I have to ask here, is when do we share this information with students? Background information like this can be a fantastic introduction to the material, but then students already have an idea of what the author wanted to accomplish. I would prefer to have this information slated after discussion of a work so that students can compare their own answers with those of the author. Just as Professor Pytash did in regard to the case studies we looked over, it is crucial to have students present their own ideas before giving them the “answers.” I say “answers” loosely because poetry is open for interpretation. Not all students will come up with similar answers, and that is what makes discussion worthwhile.

Wednesday, February 16, 2011

Teacher in trouble for Blog

Pa. teacher strikes nerve with 'lazy whiners' blog

Link to Original Article

 

“By PATRICK WALTERS, Associated Press Patrick Walters, Associated Press 2 hrs 59 mins ago

FEASTERVILLE, Pa. – A high school English teacher in suburban Philadelphia who was suspended for a profanity-laced blog in which she called her young charges "disengaged, lazy whiners" is driving a sensation by daring to ask: Why are today's students unmotivated — and what's wrong with calling them out?

As she fights to keep her job at Central Bucks East High School, 30-year-old Natalie Munroe says she had no interest in becoming any sort of educational icon. The blog has been taken down, but its contents can still be found easily online.

Her comments and her suspension by the middle-class school district have clearly touched a nerve, with scores of online commenters applauding her for taking a tough love approach or excoriating her for verbal abuse. Media attention has rained down, and backers have started a Facebook group.

"My students are out of control," Munroe, who has taught 10th, 11th and 12th grades, wrote in one post. "They are rude, disengaged, lazy whiners. They curse, discuss drugs, talk back, argue for grades, complain about everything, fancy themselves entitled to whatever they desire, and are just generally annoying."

And in another post, Munroe — who is more than eight months pregnant — writes: "Kids! They are disobedient, disrespectful oafs. Noisy, crazy, sloppy, lazy LOAFERS." She also comes up with a colorful list of comments that she felt should be available on student report cards.

Munroe did not use her full name or identify her students or school in the blog, which she started in August 2009 for friends and family. Last week, she said, students brought it to the attention of the school, which suspended her with pay.

"They get angry when you ask them to think or be creative," Munroe said of her students in an interview with The Associated Press on Tuesday. "The students are not being held accountable."

Munroe pointed out that she also said positive things, but she acknowledges that she did write some things out of frustration — and of a feeling that many kids today are being given a free pass at school and at home.

"Parents are more trying to be their kids' friends and less trying to be their parent," Munroe said, also noting students' lack of patience. "They want everything right now. They want it yesterday."

A spokesman for the Pennsylvania State Education Association declined to comment Tuesday because he said the group may represent Munroe. A message left for the Central Bucks School District superintendent was not immediately returned.

Sandi Jacobs, vice president of the National Council on Teacher Quality, said school districts are navigating uncharted territory when it comes to teachers' online behavior. Often, districts want teachers to have more contact with students and their families, yet give little guidance on how teachers should behave online even as students are more plugged in than they've ever been.

"This is really murky stuff," she said. "When you have a teacher using their blog to berate their students, maybe that's a little less murky. But the larger issue is, I think, districts are totally unprepared to deal with this."

Munroe has hired an attorney, who said that she had the right to post her thoughts on the blog and that it's a free speech issue. The attorney, Steven Rovner, said the district has led Munroe to believe that she will eventually lose her job.

"She could have been any person, any teacher in America writing about their lives," he said, pointing out that Munroe blogged about 85 times and that only about 15 to 20 of the posts involved her being a teacher. "It's honest and raw and a little edgy depending on your taste. ... She has a deep frustration for the educational system in America."

Rovner said that he would consider legal action if indeed Munroe loses her job.

"She did it as carefully as she could," he said about her blog. "It's so general that it applies to the problems in school districts and schools across the country."

___

Associated Press writer Dorie Turner in Atlanta contributed to this report.”

Saturday, February 12, 2011

(Pytash) Choosing Which Books to Teach

 

I was a bit stunned by this chapter, to be honest. I have only read a handful of the books mentioned here and have never even heard of some. While I appreciate the books choices that my high school made, I am certainly feeling a little remiss in my reading habits. I feel as though I need to read all of these books now, if only to get a feel for what my future students may have read.

Out of the twelve most frequently required texts, I have only read seven. That is a majority, sure, but it still doesn’t seem like enough.

In Jago’s “A Note on Writing About Literature” (44), she brings up a fantastic idea. Having students write papers on novels that they are reading outside of class makes a LOT of sense to me. Classroom discussions are based on discovering those parts of a text that would be in an analytical paper, so why should students just spit out ideas from class discussion? In having students apply the ideas from discussion to a fresh text, then we (as teachers) can really see if they are grasping the material. I’ve never had a teacher do this, but I love it. It seemed like every time I was asked to read a novel for class, it was that novel that I wrote about. I’ll be honest here, it was usually a very boring paper because it was just information rehashed from class notes and maybe a few original ideas. I want my students to have a more active role with their reading assignments.

Then we come to the idea of workload. I have always been a big believer in having high expectations of other people. Students are no different. If you expect them to perform poorly, chances are that they will respond poorly. However, if you have high expectations and make those clear to students from the start, you’re more likely to have students put in the effort. Will there be students who just don’t care about a teacher’s expectations? Of course! You’re going to have those no matter what you’re doing, so why not make the assignments challenging for the rest of the students? We want students to work hard on school without overwhelming them. Coming up with a balance will be hard, but I’d sure like to try and figure it out.

There is also the idea presented in the text that teachers should prepare a full workload of novels, but be willing to cut something if time is running short. This requires even more thinking on the part of the teacher. We need to plan lessons and novels in a way that allows this in a non-harmful way. What does this mean? This can mean putting a less-relevant or “important” (in quotes here because all texts used in the classroom should have importance) text at the end of the semester/year.

 


 

Let’s talk about Jago’s criteria for choosing books, now.

Is the text written in language perfectly suited to the author’s purpose?

Does it expose readers to complex human dilemmas?

Does it include compelling, disconcerting characters?

Will it explore universal themes that combine different periods and cultures?

Does it challenge readers to examine their beliefs?

Does it tell a good story with placed for laughing and places for crying?

(pp 47)

Jago uses Mary Shelley’s Frankenstein to demonstrate these ideas. While she admits that it is lacking in one area, it clearly meets all of the other criteria. I will admit here that some of her ideas have me excited to teach Frankenstein. That is something that I particularly enjoy about this book- it has me eager to try out some of the things she’s suggesting.

Anywho, let’s get back on topic with Jago’s criteria for book selection. I see great potential in her list, but I also have this niggling in the back of my mind saying that there needs to be something more. I can probably list a handful of books not considered classics, regularly used or considered “great books” that meet all of her criteria. I think that perhaps this may be one of my shortcomings when it comes to “great literature.” I can find something great in every work (so long as it’s not obnoxiously written, inexcusably poorly written or otherwise just bad text).

One such novel is The Redemption of Althalus by David and Leigh Eddings. Call me crazy, but it has the majority of old-school myth elements that come together (along with deities) to save the world.

Is the text written in language perfectly suited to the author’s purpose?

Yes. It is a more modern version of myth which involves modern language with a touch of mysticism.

Does it expose readers to complex human dilemmas?

Yes. There are issues of greed, religion/ faith, belief, strength, honor and trust.

Does it include compelling, disconcerting characters?

Yes. The primary protagonist starts out as a thief, bent on acquiring every last piece of gold he can find, but ends up collecting a group of unique individuals that will save the universe.

Will it explore universal themes that combine different periods and cultures?

Yes. We have a touch of classic mythology here with the gods and their wars, while incorporating tribal life with urban sprawl.

Does it challenge readers to examine their beliefs?

Yes. Readers must decide whether they are willing to lend a hand to the thieving Althalus or help him save the world. What would you do if a goddess herself offered you the chance to have everything? Would you give in to temptation?

Does it tell a good story with placed for laughing and places for crying?

Yes. The story itself is very well-crafted and keeps the reader wanting to flip pages until the very end. The time spent at the House at the End of the World is humorous yet frustrating. Emmy provides a humorous touch to the struggles that Althalus finds himself deeply engaged in. After all, learning the secrets of the world is challenging, is it not?

 

 

And now the big question: Would I teach this in my own classroom?

Probably not. Why? This is the type of novel that students can handle on their own with minor help from a teacher or other resource. I can see freshman and sophomores getting the most out of this book when it comes to difficulty level, but I feel that juniors and seniors could probably benefit from thought regarding temptation and being offered the world. Continuing with Jago’s idea from earlier, this would definitely be a recommended text for students to read outside of class. I would love to read an analysis of the characters and events of this novel. It would be a welcome break from more difficult texts while still providing enough “thought material” to chew on and write about.

I guess what I’m getting at here is that there needs to be another criterion added to Jago’s list:

Would I teach this in my classroom?

Many books can meet the criteria for being a great book, but it truly comes down to classroom use. I can see benefits to using books like The Redemption of Althalus for writing assignments, but not necessarily for classroom discussion. This is where I come back to the classics, the canonical works. Those texts that have been assigned in classrooms for centuries are there for a reason. They provide great and enduring examples of literary devices, great stories and questions of human life. I think that it’s important to use these texts in order to help students look at others (like the Eddings novel) in a different light.

We want enlightened readers. We want students eager to discover the motivations behind characters and their perhaps devious actions.

Most of all, we want students to then ask these questions of themselves.

It is a system of scaffolding. The teacher can help students understand these concepts in the classroom with difficult texts. Students can apply this information to slightly less difficult texts on their own, and then they can ask these questions of themselves. The latter may be the most difficult, but likely the most rewarding.

Saturday, February 5, 2011

(Pytash) Seven Guiding Principles for Literature Teachers

 

At first glance, I didn’t think I’d like this text. Why? I felt that it would be a bit more dry than it really is. Jago uses various examples to demonstrate ideas and concepts that seem simple, yet are far from it.

Let’s talk about the seven principles, shall we?

 


Students Must Read

This seems obvious, doesn’t it? The traditional view of an English classroom revolves around reading and writing. Why wouldn’t students read? What I think Jago is trying to get at here, is that students read without reading. How does that make sense? Let me be frank with you. I can read a text for class and have the correct answers without having understood a single theme or extended metaphor contained therein. Why do students read? To have the answers for quizzes and tests.

That isn’t enough. Vygotsky’s Zone of Proximal Development, as mentioned by Jago, is perfectly employed here. As teachers, we need to choose texts that are difficult for our students. The idea is that they can read, analyze and perhaps begin to understand these texts with our help. If students can read texts used in class on their own, then what are they getting out of it? Think about it. You’re reading a blog. It is written clearly, yet with an obvious disregard for grammar, sequencing and complexity of thought. What do you get out of that? Perhaps a few minutes have gone by, maybe a fact or two learned, and the ability to say you read it. Schools expect more from students. Teachers should too.

 


 

Don’t confuse reading for pleasure with the study of literature

This one fascinates me. Dictionary.com defines literature as:

–noun

1. writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays.

2. the entire body of writings of a specific language, period, people, etc.: the literature of England.

3. the writings dealing with a particular subject: the literature of ornithology.

4. the profession of a writer or author.

5. literary work or production.

6. any kind of printed material, as circulars, leaflets, or handbills: literature describing company products.

7. Archaic . polite learning; literary culture; appreciation of letters and books.

This does not seem to compare with schools’ stodgy ideas of literature. What is literature to the education system? The canon. Face it, this is what we are preparing for. The classic canonical works are something to be revered, cherished, and held aloft from the average student understanding, yes? Wrong. Once again, we need to use these texts in a way that we are helping students to understand them. Notice the word helping. If your students can understand these texts flawlessly, then perhaps spark notes have gotten too good.

The one idea in this section that I disagree wholeheartedly with is that the reading for pleasure has nothing to do with literature. I’ve very often read Shakespeare’s sonnets, Canterbury Tales and various other “classics” for pleasure. Did I do a thorough analysis, line-by-line, searching for themes, metaphors, alliteration and the like? No. What I did do, however, was learn to appreciate and understand the text outside of that context. It is wonderful to be able to pick out these literary devices, but I believe that getting a feel for the text is more important than that. Will students be tested on literary devices? Yes. Do they need to know them? Yes. Are they end-all-be-all of reading and studying literature? Certainly not. If they were, we would all be in trouble. Every last one of us who enjoys the great poets and plays of the greats would be banished from the literature discussion.

There is also this idea of people dumbing down texts to meet the readers face-to-face. I’m sure that our previous literary scholars would scoff at this idea, but is it really that bad? I think not. The more individuals that hear about the trials of Oedipus and the woes of Macbeth the better. Are they studying these works in a “literature context?” No, but do they need to be?

I honestly believe that allowing students to read and form ideas and opinions of the text on their own before breaking it down in class is ideal. I want students to try and figure out why things happened that particular way or why the author chose to implement that particular style without worrying about the hazards of allegory and foreshadowing. After all, that’s what the classroom is for, isn’t it?

 


 

Don’t simply assign difficult books; teach them.

Once again, this seems obvious. It’s anything but. We arrive safely back into Vygotsky’s Zone of Proximal Development with this section. I’m sure there are some teachers who believe in assigning difficult texts merely to see the students struggle to figure it out. Yes, hard work is necessary to understand Milton and Kafka. However, teachers need to make sure that they are actually teaching the book and not just ideas that can be associated with the book. It’s not just what onomatopoeia is, it’s how the author employed it and why it was used in that instance. We shouldn’t just discuss the idea of a diverging plot without giving students a clear understanding of what that is in this particular text.

One bias that I think Jago employs in her book is the idea that contemporary literature does not pose enough canonical questions to students. I would bet that for every great piece of literature in the classics, we would find a contemporary novel dealing with the same issues. It wouldn’t be done in the same way, but they are still there. I am most definitely not arguing for more contemporary literature than classics, but I find that contemporary works can enhance the ideas of a canonical piece immensely. They do not need to be mutually exclusive. Use them together.

 


 

Reading literature requires language study and builds vocabulary

I’ll admit it. I love words. I love learning new words that can replace old ones. I love expanding my vocabulary so that I may employ a greater array of textual eye-candy. I also love the study of language. I’m not talking about diagramming sentences or arguing about predicate nominatives. I’m talking about the origins of language, word formation processes, phonetics and all of those other fun topics.

Many students hate these things. That is a fact that we, as teachers, need to rally against. How do we expand the reluctant student’s vocabulary? They need to read texts that offer a strong vocabulary that can enhance their pre-existing list of useful words. Why is this necessary? Students must be able to infer meaning through context clues or have a strong idea of what words mean in order to understand the text they are used in.

 


 

Reading literature builds background knowledge.

I cannot stress this point enough. There are so many texts that I wish my high school had used. The main reason for my sentiment here is that I needed that vital background information. Many classrooms and texts build on references from canonical works. If you don’t have the background information from these source texts, then many of these references will not make any sense.

However, we cannot solely rely on our students having all of the required background information. Much of this is going to be inferred, researched or overlooked by our students. As teachers, it should be one of our endless goals to help students recognize and understand references like this. Allow students to glean background information without having read the original text. Doesn’t that sound grand? It sure won’t be easy.

 


 

Reading literature educates students’ imaginations.

 

This is one aspect of literature—all forms of literature, which speaks to me loud and clear. I have a (not-so) secret love for fantasy novels. Although it may not seem like it, texts such as Oedipus and King Lear offer some of those same elements that I love about my fantasy novels. We get a sense of mysticism with a strong dose of possibility. All of these things can strongly influence the imaginations of readers. I think that it’s important to encourage students to use the inspirational scenes from canonical works in their own writing.

Yes, students have to write boring assignments such as the dreaded persuasive letter. Why not make it a letter persuading the king of a foreign planet to allow humans access to their planet’s resources? A simple assignment can take a twist toward the imaginative with a small dose of classical influence.

 


Metaphorical thinking is a life skill.

Professor Pytash is a flower of the most azure hue… Oops, wrong context. How many times a day do students use metaphors without realizing it? That is perhaps the idea that Jago is trying to portray here. Is Professor Pytash really a flower? No she is not, although her husband may compare her to one. Why are metaphors important? They are everywhere. This doesn’t just occur in textual formats, but in examples like the apple logo for Apple computers.

I’m not really sure how metaphor trumps all other literary devices, but I can understand its importance. We don’t experience just metaphors in our daily lives. We often come across simile (she was rabid like your neighbor’s dog), foreshadowing (c’mon, you had to know the lights going off in the movies means the killer is inside the house), rhyme (you’re a poet and didn’t know it!), and theme (ever been to a traveling art exhibit?). Literary (I use the term loosely here) devices infiltrate every aspect of our lives. They are not restricted to literature, now are they?

Friday, February 4, 2011

(Kist) Multigenre Autobiography Update

 

Well, I’m done. Have been for a bit now. The main reason that I finished early was so that I could think it over and see if I wanted to make changes. Since I finished the first time, it’s been redone three times. I think I’m happy with it now.


 

What has this meant for me?

To be honest, I first took it as just a fun project. It was something to work on that would alleviate some stress from the beginning of the semester. I do well with projects, especially multimedia-based projects. By the last revision, however, I feel a bit different toward the idea of a multigenre literacy autobiography.

 

For me, every text has something to give. Watching my autobiography, one may think that I arbitrarily chose fun songs and books, while just listing authors on my book shelf. That’s not the point. The point is that every single time I engage a text, I receive something. It could be something as small as a new way to spell a name. It could also be a tenet of life that can be added to my existing beliefs about our world and how it works.

 

Many people look to religion to find their way through the world. Since my “beliefs” are solely my own and gathered from many sources, this becomes more difficult for me. Therefore, I gather things from the knights of Camelot, the druids of old and even cranky old shamans. But I digress.

 

This project is a means to an end for me. It only proves my point that every single text has something to give. My penchant for fantasy novels has given me a different perspective on the world. Idealistic? Surely. Unrealistic? Perhaps not so much as one may think.

 

As a future teacher, I can see why some students abhor the practice of reading while others cherish it like I have. Some individuals are afraid to venture outside of the box they know and understand. If everything is satisfactory in their lives, why should they change it now? The point of engaging texts of various sorts is to learn more—about the world, yourself and who you may become.


 

Let’s take a brief look at a few items from my autobiography.

James and the Giant Peach

James and the Giant Peach. It is a fantastical story of a boy dealing with a lot of strife, who finds himself living out his dreams. The story is not all cheers and laughs, however. He goes through many ups and downs to reach the end of the movie.

What did I get from this? Life is a journey. While there are bad times and bad people, you can surpass that. In being a strong individual and keeping your chin up, you will be so much further in life than most people. If you look in the world, you see individuals with this sense of entitlement that they tote around with them. That is a very silly picture, yes? While everyone is entitled to basic necessities, no one has been entitled to the grand aspects of life. You have to want it, work for it, and cherish it.


 

Scenes from Gladiator, the movie

Gladiator.  This is a fantastic movie and I highly encourage you to watch it if you haven’t.

 

What has this movie given me? This movie gives a sense of pride in one’s country, an inner strength, hope, belief in one’s morals and the inevitable win by the good guys.

Maximus endures a lot of pain and sacrifice to make things right. While I admit that violence is not always the answer, this character wasn’t given much of a choice. He did his best to make a point without taking life at whim.

One thing that many individuals do not have today is fortitude. Of our own character, fortitude can be the rope that saves us from hanging. That doesn’t seem to make sense to you, does it? The objects that give us harm can also prevent harm.

I can see many people watching this movie and taking nothing away from it. That’s how our world is, these days. We consume without respect to the processes and effort that goes into making something. There is a reason that things come to fruition. There is a reason that this movie was made. Entertainment is surely one of them, but it is not the only one.


 

Assemblage 23

 

Music. This is, surprisingly to some, a controversial topic. Why is this a text? Because it gives me something. It can give you something too.

I chose this song because it is a perfect example of what music can be. First, we have the industrial sound of the music. For some, it just sounds like some version of a club-thump mix. It can be, but not if you listen to the lyrics. For me, the music itself is a simulation of our heartbeat, the thread of movement that holds us in this life.

Take a look at the lyrics. (I chose this particular Youtube video because it had the lyrics for you.) Admittedly, this song talks about a very morbid subject: suicide. The vocals are relatively monotone, effecting an air of distance.

While the music plays in the background, that rhythmic thump-thump of life, the lyrics talk about the extinguishing of life. Is this an obvious contrast? Yes. Is it supposed to be? I don’t know. The band is known for its industrial music, yet it is also known for dark, heady lyrics.

What does this give me? An appreciation for life.  A reason to ask friends and family, “How are you doing today?” A reason to seek out some form of help when I need it. A form of musical therapy when I’m dealing with death and tragedy. It gives me many things; what does it give you?


How will this help me in my future classroom, you ask? It’s relatively simple if you think about it. Just as I take something from every text I engage with, my students will too. I want them to explore not only what the text means in a generic sense, but what it means for them.

 

How does it make you feel?

What does it make you think of?

Does your heart skip a beat when looking at/ listening to it?

Do you understand more now?

Who does this text bring to mind for you?

Have you had similar experiences in the past?

 


I have a homework assignment for you all.

I want you to look at a text every day. It doesn’t have to be a new one. It can be one you’ve looked at every day for your entire life—but I want you to engage it. Answer those questions to yourself.

What has it given you?

 

I’ll go first. I’m currently reading the book Mordred, Bastard Son by Douglas Clegg. 

(I also highly recommend his novel The Priest of Blood.)

Read this:

“The year of war and fire lay dying, and the cauldron of Rebirth, called by some the Grail, had been lost. The aisles of Avalon in the brackish summer sea had turned to haze, and even the finest boatmen could not find them. Those who worshipped the heathen gods went underground; those of Christendom sought sanctuary in the ruins of abbeys and monasteries and nunneries and the Roman villas, which had become property of either church or warlord; the war continued, even after the great castles of Arthur, pen-Dragon had fallen and lay in ruin” (2).

From the very first sentence of the book, I was drawn in. This paragraph gave me an image of a world. Did this world exist? I’m not sure. That doesn’t matter. What matters is that I was given this beautiful image of a world in which I can escape to—a world that may hold answers to many of my questions.

Tuesday, February 1, 2011

Ice Storm

I snapped this photo today and thought I'd share. 



You can click on the photo to see the whole thing. The menu to the right is restricting the image.

(Kist) Multitasking

 

What is multitasking and why do we do it?

As Dr. Kist states in The Socially Networked Classroom, it is the ability to “perform more than one task simultaneously” (40). So why do we multitask? Let’s take a look at society for a moment. How many things do we need to complete in one day? I could probably list hundreds of small things that comprise my day. If we took the inventory of our daily tasks and completed them sequentially rather than simultaneously, one day would not be nearly long enough. Has this been the sole responsible party for our drive to multitask? Probably not.

Students today are trying to get homework done, talk to friends, check their Facebook, and plan the coming weekend at the same time. How does this affect their schoolwork? While they are trying to do all of those things, their attention is not entirely on homework. Perhaps some students can listen to music and do homework at a proficient level, but are they getting everything they can from it? Probably not.

One study on multitasking states the following:

“The first study using magnetic resonance images of brain activity to compare what happens in people's heads when they do one complex task, as opposed to two tasks at a time, reveals a disquieting fact: The brain appears to have a finite amount of space for tasks requiring attention.

When people try to drive in heavy traffic and talk, researchers say, brain activity does not double. It decreases. People performing two demanding tasks simultaneously do neither one as well as they do each one alone.”

Brain Rules, a blog by John Medina, has the following video:

John Medina’s video on multitasking

In the same blog is this information:

Studies show that a person who is interrupted takes 50 percent longer to accomplish a task. Not only that, he or she makes up to 50 percent more errors.”

(I encourage you to explore his website: Brain Rules)

Let’s ask the big question: what does this mean for teachers?

In his paragraph on multitasking, Kist says that “During the time I’ve been writing this paragraph, I’ve been loading tunes into my iTunes, responding to an e-mail message, and checking my twitter stream” (40). It’s interesting when omeone who is writing about multitasking in a more-negative-than-neutral manner is multitasking heavily. During class, our students are going to be multitasking. When doing homework, they are going to be multitasking. We need to keep this in mind and find ways to keep students focused on the task at hand. While it may be more interesting at times to have music playing, some students working on a project while others recite lines from Shakespeare, it can be very distracting.

According to North Dakota State University, adolescents have a 30-40 minute attention span. For most schools, this is slightly under the time of one teaching period. Those with block scheduling have twice that amount of time in one class period. It will be up to teachers to keep class interesting and help students narrow their focus to learning. This is even harder when students go home at night. Teachers cannot control how students do homework once they leave the classroom. What are ways to keep students interested?

Perhaps having homework that asks more than “answer the question” or “finish the problem” can alleviate some of the boredom students feel with homework. WebQuests, nings, blogs and wikis are fantastic ways to keep students connected to the world they feel so drawn to, while still keeping them focused on homework.

Let’s jump back to Kist’s description of his own multitasking. Two of the four things he was doing were related to interactive communication. Checking/ responding to emails and refreshing Twitter are very common things students are engaged in while doing homework. If teachers can find ways to incorporate this drive toward interaction, communication and the internet, then perhaps they can be more effective in all areas of teaching.

Use the bad habits of students against them; they won’t be expecting it!